Thanks for posting so explicitly.
Bondlock was used between the panels. Any special considerations for choosing, and what did you use for filler?
Was the feathering of your original material 's edge done just on the inside surfaces?
Nice to see how it all turned out before primer coat hides the beauty of the craftsmanship beneath it.
Still wondering how you were able to form the curves so smoothly, and especially how you formed a flange whilst traversing a curved surface.
What type of metal shrinking devise was employed, rather than just a shrinking hammer that to my knowledge does not create this effect or degree of unidirectional and necessarily somewhat pie section shaped undulations?
I can't remember who it was but someone had the Bondloc on offer at the time, it should in theory be stronger and more petrol resistant than the Araldite, but in retrospect I'd have probably traded that for the longer setting time and therefore flexibility of positioning offered by Araldite. Getting things into position and then holding them in position is easy if you have long enough g-clamps, but invariably they always seemed to be too short. The price of them also seems to quadruple with each extra inch of depth. I was lucky enough to find some obscure french made clamps at a car boot sale with a very long reach which were a godsend throughout. As were several different types of metal working pliers that I got at a bike autojumble at the Sammy Miller museum. The guy who sold them didn't have a clue what they were for, so they were a real bargain, although you need a lot of hand and arm muscle to work with them - even on alloy. I also found some very long nosed vice grips.
The feathering was on the leading edge of the inside of the old metal, I'd forgotten the new metal was also offset with a flanging tool - which is a bit like an old tin-opener, you crank the edge through and it gives it an off-set of a mm or two. Also from boot sales and autojumbles were a couple of proper bossing mallets. I made a sandbag and also had a couple of tree stumps, one of which I dished out the top of, and the other I used on it's side when I was encouraging curves. I also bought a set of cheap metal working hammers and dollys and polished them up. Then it's just a lot of reading, planning and practice, tapping away to get the curves where you want them. The biggest suprise was how gentle you have to tap, you can make a big curve in the sheet by whacking it, but you'll then find it very much harder to smooth out. You also need a good pair of ear defenders!
The shrinker/stretcher is the sort of thing in the following link. You bolt it onto something solid, put the flange between the jaws, give the lever a steady yank and it sort of nips the metal together (if you're shrinking) between the jaws which as you move along the flange, grandually pulls it round in a curve. I'd recommend panel beating to anyone who wants to get fit, but hates using a gym.
The final link about making an aluminium scuttle was very helpful in pointing the way forward for several aspects of the repair patch.
One book I found very useful throughout was
Car Mechanics - Panel Beating & paint refinishing ISBN 1873098294
http://www.ebay.co.uk/itm/52-METZ-Shrinker-Stretcher-heavy-duty-Garage-Body-Shop-Workshop-Metal-tool-/391166484766?hash=item5b1356e11e:g:wNkAAOSwpDdVfrz7http://www.locostbuilders.co.uk/viewthread.php?tid=127296